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September
2004 - Heather Taylor heathert@orientalstampart.com
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(Click on picture for instructions)
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How long have you
been stamping? What is your favorite
technique? Favorite stamp
company? Favorite Asian
stamps? Favorite stamping
accessory? (i.e. EP, UTEE, Pearl-Ex, punch) Favorite colors? Your favorite embellishment
to finish a card? What is the one
tool you couldn't live without? (i.e. X-acto knife, heat gun, glue stick,
sponge) Any helpful tips
for the group? As a member of
the Oriental Stamp Art group on yahoo, why do you like stamping in the
Oriental theme? Is there any one
place or city you'd like to visit to find rubberstamps, supplies, or Asian
art elements? What other stamping
lists or clubs do you belong to? What favorite Stamping
magazines would you recommend? Published in any
magazines? If yes, please list. Any other hobbies,
talents or craft interests? What inspires you
to be creative? i.e. do you listen to music while you stamp or watch TV,
keep an art journal? Any art background
? Have you used any
unusual item in your stamping that wasn't necessarily meant for stamping?
(i.e. found item or household item) Any favorite books
on stamping or art techniques that you would recommend? Any on Asian arts
& crafts? Do you have a day
job when you're not stamping? Tell us about your
family and where you live. We have 4.25 acres
with 2 cats, a big gallumphing black lab that my son adores, 2 llamas,
and 2 goats. We're surrounded by trees and coyotes and one bobcat, with
a burbling stream down in the ravine along one side of the property. The
house is an 1890's farmhouse, so everything is pretty run-down, but it's
a lot of fun. And, we have a huge double-trunked redwood in our front
yard. Can't beat that
=) Back to top
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INSTRUCTIONS
FOR "Direct Brush-to-Stamp Technique" Materials: Pear: A Stamp in the
Hand Instructions: Make the background on white copy paper by dropping a few drops of yellow, mango, and violet reinkers onto a spare piece of textured wallpaper laid at the bottom of an aluminum pie pan. Spritz inks with rubbing alcohol. Take a soft rubber brayer and run it through the inks once, then roll onto the paper at a diagonal. Keep on doing this until you like your paper or you run out of ink. You can refresh the ink by spraying rubbing alcohol on it every time you run out, that way you get gradually lighter colors on the paper. See Brenda M.'s Backgrounds to Dye For for the full technique description. Next, squeeze out three-four drops (a little goosh) of Colorbox black ink onto a CD cover or whatever you use as a palette. Take a sumi-e brush, or something similar, and wet it, then run it over the stamp. Then pick up a little of the black and run it down one side of the stamp (this will be the part that's in the "shadow"). Rinse your brush out a little, then brush some lighter gray onto the rest of the stamp. Stamp it on the paper. I don't even bother mounting the stamp for this-just lay it down and press gently. Cover the whole sheet randomly with pears, leaving some spaces too. Roll a Q-tip onto your Watermark Versamark pad, then onto the part of each pear you want highlighted, in semi-circle motions. Sprinkle lightly with Pale Gold EP, and heat till melted. Cut out an interesting portion of the sheet the size you want for the centerpiece of the card (mine was 3" x 4.5", I think). Ink the dragonfly stamp with Peony, then Ink the mon stamp in Watermark Versamark; cover both with Pale Gold EP and heat till melted. Stamp text with Rose, heat till dry. Layer onto red-brown cardstock with ¼" border showing (I used Magic Tape to get it to stick), then onto a slightly larger piece of coordinating textured wallpaper, and finally, mount onto shimmer light gold cardstock. Voilà! Heather Back to top
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